The flute and its essential role in Indian heritage come to life musically in Гўв‚¬Е“ Meri Aankhon Mein Bas GayeГўв‚¬Вќ. Pleasant but quite obviously not meant to overshadow a soundtrack meant to highlight the female vocalist alone. Гўв‚¬Е“ Main Zindagi Main HardamГўв‚¬Вќ is an average song for which Mukesh has song many akin to thereafter. Mohammad Rafi features in his own solo with typical lyrics of the young man with high aspirations. The lyrics for this oft remembered Raj Kapoor song have been recycled and almost idolized after this tune many times thereafter but the syrupy tune which is back dropped by an irresistible dholak can obviously never be replicated. Where Mukesh is distinctly empowering Lata displays the characters sincere innocence with immense conviction. Г‚в‚¬Е“ Patli Kamar HaiГўв‚¬Вќ is a playful song which is sweet and is enlightened by the Mukesh and Lata MangeshkarГўв‚¬в„ўs compliment vocals. The title track Гўв‚¬Е“ Barsaat MileГўв‚¬Вќ is probably the most average song on the album while still being a good composition LataГўв‚¬в„ўs lone appearance followed the threads of many female solos. Forget the lyrics the irresistible part is her soft rendition of Гўв‚¬Е“hooo ooohГўв‚¬В¦Гўв‚¬Вќ This beautiful love song is picturized on a young Nargis singing to Raj Kapoor. Similarly so, in Гўв‚¬Е“ Tujhe Kisise Pyaar Ho GayaГўв‚¬Вќ a literally dense song, Lata Mangeshkar shows her prowess at work. Clearly female solos could never reach the heights that these tunes reached then, and certainly not now. Lata Mangeshkar and the new found melody continued with the 1-2-3, Гўв‚¬Е“ Jiya Bekaraar HaiГўв‚¬Вќ. This red scarf has truly been blowing through since the soundtrack premiered. And LataГўв‚¬в„ўs soft and sweeten vocals only drove the song to perfection further. The dholak was a compliment to the song rather than the definition. This Гўв‚¬ЛњnewГўв‚¬в„ў style of music as it was back then was different in that its focus changed from doldrums and backdrop to the orchestrated pieces which placed the song together. As many Гўв‚¬Е“ DupattaГўв‚¬Вќ sings that hit the marquee year after year one wonders if any composer could actually make this one as it is, a romantic solo which is soft, breezy and eloquent. The best and the most memorable (and probably most abused by remix artists today) is Гўв‚¬Е“ Hawa Mein Udata JayeГўв‚¬Вќ. Setting a standard for Hindi musicals, the commanding soundtrack features ten tunes of which nine are sung by Lata, seven of which she is singing by herself! Furthermore they were able to utilize a young vocalist that would grow to heights beyond imagination. In doing so they were able to solidify themselves for years to come as truly excellent musicians in just their first effort. Shankar Jaikishen in their maiden venture composed truly classical tunes but most of all solos for lead singer, Lata Mangeshkar. In the years where three or four Barsaat titled films followed, the one and only original has not only excellent and superlative tunes, but tunes that can honestly suffice to say that it is probably the only Barsaat (film wise and music wise) anyone would truly remember. Public Rating Average: 5.13 / 10 (rated by 412 listeners)Д¬hances are if you ever picked up a remix album recently or even listened to a retro soundtrack youГўв‚¬в„ўve heard a song from Raj KapoorГўв‚¬в„ўs Гўв‚¬Е“ BaarsaatГўв‚¬Вќ. Let us know what you think about this review Reviewed by: Rakesh Budhu - Rating: 10.0 / 10 Singers: Lata Mangeshkar, Mukesh, Mohammad RafiДЄudio On: HMV-Saregama Number of Songs: 10

Old barsat film song